Author Iryna Baltaziuk “Archetypal symbols and their modification in the work of Ukrainian artists P. Bevza, O. Zhyvotkov, G. Gidora and P. Antyp”. Issues of Art History, Ethnology and Folklore/ Research Center in Belarusian Culture, Language and Literature of the National Academy of Sciences of Belarus; Sciences. edition. A.I. Lakotka. – 2021. – Issue. 29. – Minsk: Law and Economics. – P. 19–26.
- NATIONAL ACADEMY OF SCIENCES OF BELARUS
- State Scientific Institution “CENTER FOR THE STUDY OF BELARUSIAN CULTURE, LANGUAGES AND LITERATURE”
- Affiliate “INSTITUTE OF ART SCIENCE, ETHNOGRAPHY AND FOLKLORE NAMED AFTER KANDRAT KRAPYVA”
ART STUDIES, ETHNOLOGY AND FOLKLORE
Issue 29
Minsk 2021
SUMMARY:
The genesis of archetypal symbols and their modifications in the work of Ukrainian artists is investigated, and determined the difference between individual and universal archetypal images. The content of archetypal symbols in painting is analyzed based on an interdisciplinary approach. It was revealed that the origins of modern Ukrainian art are connected with religion, mythology, rituals, customs and beliefs that form the national characteristics of archetypal symbolic structures. The features of modifications of the universal symbols, such as «water», «earth», «light» and «word» are characterized by the work of Ukrainian artists P. Bevza, O. Zhyvotkov, G. Gidora and P. Antyp.
Keywords: archetype, symbol, modification, genesis, archetypal complexes, archetypal symbolic structures, archaic symbols, Ukrainian artists.
УДК 39 (=161)
ББК 63.5
ISSN 2221-9919
© ДНУ «Цэнтр даследаванняў беларускай
культуры, мовы і літаратуры», 2021
© Афармленне. «Права і эканоміка», 2021